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“Jon is fantastic and fabulous. He went above and beyond…”
“No one knows Los Angeles, or noir, quite like he does.” — Viet Thanh Nguyen, author of The Sympathizer
“This Lynchian nightmare isn’t easy to forget.” – STARRED REVIEW, Publishers Weekly
“The ill wind whipping through these pages leaves its mark.” — Kirkus Reviews
“Stylish and sexy, full of jagged edges and liquid smooth curves that will leave readers holding their breath until the very end.” — Alex Espinoza, author of Still Water Saints and Cruising: An Intimate History of a Radical Pastime
“A masterclass in noir that both honors and elevates the genre.” — Ivy Pochoda, author of Sing Her Down, These Women, Wonder Valley and Visitation Street
“Telling the truth about academia and the capitalist, anti-intellectual, anti-human fires that are unjustly raging there.” — Lori Jakiela, author of They Write Your Name on a Grain of Rice
“Fearless, merciless, and hilarious.” – James Tate Hill, author of Blind Man’s Bluff
“hilarious, absurd, and realistic interpretation of the educational experience.” — George Singleton, author of The Curious Lives of Nonprofit Martyrs
“An engrossing story about the life and times of a singular woman.” — BookLife, STARRED REVIEW
“A fascinating blend of the personal and the historical.” — Kirkus Reviews, RECOMMENDED
“A brilliant concoction… The tenderness broke my heart.” — Ann Beattie, winner of the Rea Award and the PEN/Malamud Award
“An unforgettable portrait of both a spirited, flawed, mysterious woman and a fascinating era that is no more.” — Clifford Thompson, author of What It Is: Race, Family, and One Thinking Black Man’s Blues and Big Man and the Little Men: A Graphic Novel:
“Lives in my memory long after reading it.” — Sean O’Driscoll, bestselling author of Heiress, Rebel, Vigilante, Bomber and The Accidental Spy:
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“A tense and timely love story that probes the disastrous gulf between class and technology” – Ben Marcus
“Endlessly inquisitive… a worthy addition to the canon of messy, strange, and keen women” – Kirkus Reviews
“The Jim Jarmusch of Central Oklahoma zoo-fiction—contemplative and dreamy and in awe of the strange.” – Benjamin Warner
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